After qualifying as an architect in London, in 1979, Elkoury turned to photography, producing a report on daily life in Lebanon. His images appeared in Libération and other publications. In 1984, he published Beyrouth Aller–Retour, documenting the life of a war-torn city.
In 1991 he and other photographers were commissioned to take part in a project in downtown Beirut, to document the aftermath of war. This was later published in an album entitled Beirut City Centre, by Editions du Cyprès, Paris, and was the subject of an exhibition at the Palais de Tokyo, Paris, in 1993. The book has since become a milestone in the history of photography.
In 1997, Elkoury co-founded the Beirut-based Arab Image Foundation, an organization that seeks to archive and preserve photography from the region. The following year he moved to Turkey and produced an extensive photographic travelogue, the last of his exclusively photographic series.
In 2002, the Maison Européenne de la Photographie in Paris commissioned him to create an exhibition for which he presented a new collection of photographic compositions, incorporating sequential images to emphasize meaning. As part of the exhibition he premiered his first video Lettres à Francine, based on his photographs of Turkey. The exhibition catalog, Sombres, is published by Marval.
Since then, he has alternated between photography and video, as well as writing, with his first text, La Sagesse du Photographe, published in Paris in 2004.
Manal Khader is a writer, editor and actress based in Beirut. She is one of the founders of Kalamon – a Beirut based cultural quarterly review – and co-editor of the publication from 2010 to 2015. Manal plays leading and supporting roles in Arab and international films and in 2015, she co-wrote and performed with Rabih Mroué a theatrical play entitled "Ode to Joy”.
Gregory Buchakjian (b. 1971) is an art historian and visual interdisciplinary artist, Université Paris IV Sorbonne PhD, acting director of the School of Visual Arts at Académie Libanaise des Beaux-Arts – Alba. His visual work emerged in the aftermath of the 2006 war with the series Nighthawks. Since then, he focused on city and history with publications such as Fouad Elkoury, Passing Time (Kaph Books: 2017), Traversées Photographiques. Le journal du Docteur Cottard (Arab Image Foundation: 2017) and his contributions to On Photography in Lebanon: Essays and Stories (Kaph Books, 2018). In 2018, his Fragments from the Ridge Line are part of first Lebanese pavilion at the Venice Biennale of Architecture while Fragments from the History of Civil Aviation in Lebanon are in the book accompanying the exhibition Cycles of Collapsing Progress. Member of the advisory committee of the Saradar Collection, he took part in juries including Sursock Museum Salon d’Automne (2009), Boghossian Prize (2012), Beirut Art Center’s Exposure (2013) and Beirut Art Residency (2017).
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